“In theatre, your work is never in a vacuum, meaning you never get to make choices without some other input and collaboration,” Moore goes on to say. “I can’t insist on a costume that would mean Lauren Nigri would have to repaint the whole set and vice versa.”
“Aiding the incredible cast and direction are Sydney Moore’s wonderful period costumes...The overall effect is a great space that feels incredibly realistic, but also carefully displays the characters’ traits even in the smallest ways; just by looking at the characters...the audience immediately gets a sense of their personalities and the organization, and it makes the whole show much richer.”
“Sydney Moore’s costumes are as lavish or button-down as required (entirely too much fun is had with Luigi’s getup)”
Link to DC Metro Theatre Arts Review
“With a cast of six, each playing multiple roles, costume designer Sydney Moore deftly plays on the razor’s edge between individuality and connectivity.”
“Costume Designer Sydney Moore helps us track the multiple roles the six actors play and clothes the show in considerable wonderment and foreboding. ”